In his new production ‘Vertikal’, top French choreographer Mourad Merzouki yet again defies all expectations – he pushes past another set of boundaries and explores a whole new dimension: a world (almost) without gravity. The show is a collaboration with vertical dance company Retouramont, who provided the dancers with rope mechanisms, allowing them to achieve apparent weightlessness. Continue reading
Last week, Benjamin Millepied’s L.A. Dance Project performed three pieces from their repertoire, including Millepied’s brand new creation ‘Bach studies part 1’.
The evening began with Justin Peck’s ‘Murder Ballads’. The curtain opened to six pairs of shoes set out neatly across the stage, ready for the dancers, dressed in typical street wear, to run onstage and put them on. This began a series of cleverly used exits and re-entries through the wings, setting a fast pace, with lots happening simultaneously. Continue reading
In her ‘Romeo and Juliet’, first created in 2013 and starring the Bad Boys of Dance, Adrienne Canterna breaks the rules of traditional ballet. This fresh and exciting version of Shakespeare’s tragedy reaches out to a wide audience, combining classical ballet with modern dance and even hip-hop. Continue reading
Alvin Ailey is, I think we can fairly say, one of the most renowned dance institutions in the world. The choreographer, dancer and cultural leader Alvin Ailey founded the prestigious Alvin Ailey American Dance Theater in 1958. Sixteen years later, the second company, Ailey II, was created and is now made up of twelve young and ambitious dancers, bursting with energy, talent and promise.
Before the performance, I watched their class led by artistic director Troy Powell – it was quite an experience. Continue reading
Forget the glitzy clichés – Le Patin Libre has shattered traditional figure skating’s boundaries, and founded a new genre: welcome to the world of contemporary ice skating.
The Montreal-based company is made up of five ex-figure skaters who have rebelled against the rigid rules of their former discipline and its rampant commercialism (as Alexandre Hamel, founder of Le Patin Libre, explains in my interview with him). This group of mavericks have created their own innovative, liberated skating style that is now delighting audiences on both sides of the Atlantic. Continue reading
After successfully portraying the world of artificial intelligence in her 2013 creation ‘Robot’, Blanca Li continues logically on to exploring nature, and its relation with humans, in her new and exciting piece ‘Solstice’.
The curtain opens, and it’s back to the very beginnings of humanity – the rhythm and the movement is primitive, tribal, the basic, nude costumes (designed by Laurent Mercier) accentuate the rawness. Continue reading
Last week, I went to see ‘Rock the Ballet’, choreographed by Adrienne Canterna and featuring the Bad Boys of Dance.
As soon as ‘Rock the Ballet’ starts, the theatre is filled with contagious fun and energy. The first scene showcases the six Bad Boys of Dance, before dancing beauty Adrienne comes onto the stage, seducing them all. Continue reading
‘Sleeping Beauty’ was created and first performed in St Petersburg in 1890 – it was lovely to see it revived by a St Petersburg ballet company, and staged by French dancer and choreographer Jean-Guillaume Bart.
Russian ballet is often seen as the best, most prestigious ballet there is, and at the performance I saw, you could just feel the high expectations in the audience… Which were not disappointed. Continue reading
‘Correria Agwa’ by Mourad Merzouki (in close collaboration with the dancers) is composed of two pieces: ‘Agwa’, the company’s first creation, and ‘Correria’.
The show opened with ‘Correria’, a frenetic, almost breathless performance, based on the theme of running (correria translates as ‘the race’). This theme was made completely obvious by the dancers either actually running on the stage, or miming a running movement which was incorporated throughout the choreography. The dancers would do this in all kinds of different positions (in lifts, on the floor…). Continue reading
Earlier this week, I went to see Benjamin Millepied’s L.A. Dance Project perform four pieces from their repertoire (Reflections by Benjamin Millepied; Duets by Martha Graham; Helix by Justin Peck; and Hearts and Arrows by Benjamin Millepied).
They were all incredibly different, each had, I thought, its own particular meaning. Continue reading