After successfully portraying the world of artificial intelligence in her 2013 creation ‘Robot’, Blanca Li continues logically on to exploring nature, and its relation with humans, in her new and exciting piece ‘Solstice’.
The curtain opens, and it’s back to the very beginnings of humanity – the rhythm and the movement is primitive, tribal, the basic, nude costumes (designed by Laurent Mercier) accentuate the rawness. Continue reading →
Meeting international dancer and choreographer Adrienne Canterna was something of a dream come true for me – I have adored her work since I first saw ‘Rock the Ballet’ in 2012.
Adrienne started ballet at three years old, and quickly started taking tap, jazz and modern classes – she then got into acrobatics: “Everything just kept coming, one thing after another!” Continue reading →
Last week, I went to see ‘Rock the Ballet’, choreographed by Adrienne Canterna and featuring the Bad Boys of Dance.
As soon as ‘Rock the Ballet’ starts, the theatre is filled with contagious fun and energy. The first scene showcases the six Bad Boys of Dance, before dancing beauty Adrienne comes onto the stage, seducing them all. Continue reading →
‘Sleeping Beauty’ was created and first performed in St Petersburg in 1890 – it was lovely to see it revived by a St Petersburg ballet company, and staged by French dancer and choreographer Jean-Guillaume Bart.
Russian ballet is often seen as the best, most prestigious ballet there is, and at the performance I saw, you could just feel the high expectations in the audience… Which were not disappointed. Continue reading →
‘Correria Agwa’ by Mourad Merzouki (in close collaboration with the dancers) is composed of two pieces: ‘Agwa’, the company’s first creation, and ‘Correria’.
The show opened with ‘Correria’, a frenetic, almost breathless performance, based on the theme of running (correria translates as ‘the race’). This theme was made completely obvious by the dancers either actually running on the stage, or miming a running movement which was incorporated throughout the choreography. The dancers would do this in all kinds of different positions (in lifts, on the floor…). Continue reading →
Last week, I was lucky enough to meet four Brazilian dancers from Mourad Merzouki’s Käfig dance company, part of the CCN. After watching their rehearsal of ‘Correria Agwa’, a performance I got to see later in the week, I talked to Aguinaldo ‘Anjo’ De Oliveira Lopes, Alexsandro ‘Pitt’ Soares Campanha Da Silva, Hélio Robson Dos Anjos Cavalcanti and Geovane Fidelis Da Conceição.
Almost all the dancers from the current Käfig company previously worked with a Brazilian hip-hop company which came to France in 2006 for the Biennale de la Danse in Lyon. Continue reading →
During my work experience at the Ballet, a few of the dancers very kindly answered some questions for me:
The answer to my first question “Why did you choose the Ballet du Capitole?” was always pretty much the same: it’s a smaller ballet company with a very interesting and varied repertoire (a good mix of classical, neo-classical and contemporary); some of the dancers just wanted to try something new. They all love dancing here, and say there is a very good atmosphere.
I asked them whether they usually work more with the ballet masters or the choreographer. Continue reading →
Last week, I was lucky enough to do four days of work experience at the Ballet du Capitole, our regional ballet company. The first thing I noticed the morning I arrived, and absolutely loved, was the international atmosphere… Everyone was speaking different languages, and this is definitely one of my favourite things in the exciting world of dance! In fact, the 35 dancers at the Ballet come from 12 different countries.
I learned so much during my week at the Ballet about what life is like working for a dance company – I thought I would share some of it with you! Continue reading →
After the show, I had the chance to interview Nathan Makolandra, who has been dancing with the L.A. Dance Project since it began in 2012.
I asked him how he got into the company. “I was a senior at Juilliard, and Benjamin [Millepied] had done some work with seniors the previous year”, he told me. “He was going to be starting this [LADP] company, so he called the director and said he’d like to come and look at the current batch of seniors. After auditions at Juilliard, he asked me to join what would be the L.A. Dance Project. It’s been over four years now, and it’s been cazy!” Continue reading →
Earlier this week, I went to see Benjamin Millepied’s L.A. Dance Project perform four pieces from their repertoire (Reflections by Benjamin Millepied; Duets by Martha Graham; Helix by Justin Peck; and Hearts and Arrows by Benjamin Millepied).
They were all incredibly different, each had, I thought, its own particular meaning. Continue reading →