Last week, Benjamin Millepied’s L.A. Dance Project performed three pieces from their repertoire, including Millepied’s brand new creation ‘Bach studies part 1’.
The evening began with Justin Peck’s ‘Murder Ballads’. The curtain opened to six pairs of shoes set out neatly across the stage, ready for the dancers, dressed in typical street wear, to run onstage and put them on. This began a series of cleverly used exits and re-entries through the wings, setting a fast pace, with lots happening simultaneously. Continue reading →
Alvin Ailey is, I think we can fairly say, one of the most renowned dance institutions in the world. The choreographer, dancer and cultural leader Alvin Ailey founded the prestigious Alvin Ailey American Dance Theater in 1958. Sixteen years later, the second company, Ailey II, was created and is now made up of twelve young and ambitious dancers, bursting with energy, talent and promise.
Before the performance, I watched their class led by artistic director Troy Powell – it was quite an experience. Continue reading →
Earlier this week, I went to see Benjamin Millepied’s L.A. Dance Project perform four pieces from their repertoire (Reflections by Benjamin Millepied; Duets by Martha Graham; Helix by Justin Peck; and Hearts and Arrows by Benjamin Millepied).
They were all incredibly different, each had, I thought, its own particular meaning. Continue reading →
Some members of the LINES company very kindly agreed to chat with me after the perfomance, for which I’m very grateful; they were all so lovely!
What’s it like working for LINES ballet?
LINES was actually my dream company, and I got asked to join them in my junior year in college. I really think that Alonzo [King]’s philosophies on dance, movement and arts intertwine perfectly with nature and humanity. He has a way of stripping away all that materialistic crap that dance can get self-absorbed in. It’s a lot of hard work physically and spiritually, but it’s really rewarding. It’s a moment where I’m really grateful to be alive and be dancing. Continue reading →
Right from the opening, it was obvious why the company is called LINES ballet: the simplicity of the lighting, decor, and costumes meant you could completely focus on the stunning lines created by the dancers’ incredibly fluid bodies. It was almost like watching a series of still photographs, swept up into a swirl of movement. Continue reading →