Beyond the limits of gravity – Mourad Merzouki’s ‘Vertikal’ with Käfig review

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‘Photograph: Laurent Philippe

In his new production ‘Vertikal’, top French choreographer Mourad Merzouki yet again defies all expectations – he pushes past another set of boundaries and explores a whole new dimension: a world (almost) without gravity. The show is a collaboration with vertical dance company Retouramont, who provided the dancers with rope mechanisms, allowing them to achieve apparent weightlessness. Continue reading

‘Romeo and Juliet’ reimagined by Adrienne Canterna with the Bad Boys of Dance ~ review and interview

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Adrienne Canterna and Eric Lehn as Juliet and Count Paris in ‘Romeo and Juliet’

In her ‘Romeo and Juliet’, first created in 2013 and starring the Bad Boys of Dance, Adrienne Canterna breaks the rules of traditional ballet. This fresh and exciting version of Shakespeare’s tragedy reaches out to a wide audience, combining classical ballet with modern dance and even hip-hop. Continue reading

‘Rock the Ballet’ by Adrienne Canterna starring Bad Boys of Dance ~ review

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‘Rock the Ballet’

Last week, I went to see ‘Rock the Ballet’, choreographed by Adrienne Canterna and featuring the Bad Boys of Dance.

As soon as ‘Rock the Ballet’ starts, the theatre is filled with contagious fun and energy. The first scene showcases the six Bad Boys of Dance, before dancing beauty Adrienne comes onto the stage, seducing them all. Continue reading

‘Correria Agwa’ by Mourad Merzouki with CCN’s Käfig ~ review

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‘Correria Agwa’ by Mourad Merzouki (in close collaboration with the dancers) is composed of two pieces: ‘Agwa’, the company’s first creation, and ‘Correria’.

The show opened with ‘Correria’, a frenetic, almost breathless performance, based on the theme of running (correria translates as ‘the race’). This theme was made completely obvious by the dancers either actually running on the stage, or miming a running movement which was incorporated throughout the choreography. The dancers would do this in all kinds of different positions (in lifts, on the floor…). Continue reading

Benjamin Millepied’s L.A. Dance Project ~ review

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‘Reflections’ – copyright Rose Eichenbaum

Earlier this week, I went to see Benjamin Millepied’s L.A. Dance Project perform four pieces from their repertoire (Reflections by Benjamin Millepied; Duets by Martha Graham; Helix by Justin Peck; and Hearts and Arrows by Benjamin Millepied).

They were all incredibly different, each had, I thought, its own particular meaning. Continue reading

‘Shostakovich/Writing Ground’ by Alonzo King with LINES Ballet ~ review

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Meredith Webster and men in Writing Ground – Margo Moritz (Alonzo King’s LINES Ballet)

Right from the opening, it was obvious why the company is called LINES ballet: the simplicity of the lighting, decor, and costumes meant you could completely focus on the stunning lines created by the dancers’ incredibly fluid bodies. It was almost like watching a series of still photographs, swept up into a swirl of movement. Continue reading

‘Pixel’ by Mourad Merzouki and Adrien M / Claire B, with Käfig Dance ~ review

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Pixel – copyright Laurent Philippe

Last Saturday night, I went to see ‘Pixel’ by Mourad Merzouki’s Käfig, a hip hop show, created in collaboration with the digital design company Adrien M / Claire B.

As soon as the curtain went up, my attention was grabbed by the simple yet beautiful set; the stage was dotted with candle-like lights, which moved around as the dancers performed. Continue reading